LONGFOR SHAN QIAN (DEMONSTRATION AREA)

The wind of silence is to abandon the flashy decoration. After years of washing and infiltration, the surface texture of the objects, or rough and dark, or mottled and jagged, or incomplete and imperfect sad beauty, conveys the natural beauty of the space. This sense of freedom of returning to nature can make people remove the shackles of the city, abandon the complexity, release the pressure, and return to the light wind and cloud behind the flashiness. Starting from the living origin of oriental aesthetics, the project uses simple and pure line language to create an elegant living space, restore the authenticity of life, and lay out the blank artistic conception between mountains and rivers, leaving the possibility of reverie.