中南置地海门春风里ZONIA HAIMEN SPRING BREEZE
| 项目状态 | 已完工 | |||
| 申报类别 | 室内设计 | |||
| 申报子类别 | 居住项目 | |||
| 完成日期 (YYYY-MM-DD) | 2020 - 04 - 20 | |||
| 设计周期 | 4 个月 | |||
| 项目面积 |
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| 项目所在国家/地区 | 中国 | |||
| 项目所在省 | ||||
| 项目所在城市 | 海门 | |||
| 项目简介(中文) | 上海租界地遗留的洋风，在海门的生活里同样随处可见，有别于中式园林铺陈的诗画意境，老上海的洋风善用材质的尊贵色泽、纹理，建构让人向往的吴侬软语，像上海女人身着的旗袍，时髦里有着世故而节制的风采。 为了重建十里洋场弄堂与洋房里沉酿的深邃与高雅，水相设计设计师在室内选择蛇纹石、大理石、胡桃木、黄铜等具时代感的材质与过去连结，以五、六Ｏ年代熟悉的妖娆婉转作为视觉序曲。 | |||
| 项目简介(英文) | The western styles that remain in the Shanghai Concession are also seen everywhere in Haimen. Unlike the poetic and artistic conception of Chinese gardens, the old Shanghai western styles make good use of its noble colors and material textures to construct the soft and delicate space that people yearn for. Like the cheongsam on a Shanghai women, fashion has a worldly and restrained style. In order to rebuild the depth and elegance of the alleys and houses of Shili Yangchang, the designer of Waterfrom design chose serpentine, marble, walnut, brass and other contemporary materials to connect with the past, using a familiar and enchanting atmosphere from 1950s and 1960 as a visual overture. | |||
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客厅、用餐区 |
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 客厅 |
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 客厅 |
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 回归于材质本身，不做太多人工的处理而是任由材质与身的肌理恣意发挥。 |
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 饶富义大利现代风格的明快白色背景里，如云雾的灰白、深邃的墨绿、带着一圈圈年岁的木纹与肌理规则阵列的白，如同取自老上海风华的切片，彼此互衬，形成一幕幕回归最低限度艺术精神的画作。 |
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 书房 |
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 抽离过多的色彩情绪，以几何块面与材质纹理形塑空间中的画面，简单却又耐人玩味。 |
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 用餐区 |
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 玄关处 |
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 以具有时代感的材质如蛇纹石、大理石、胡桃木、黄铜等搭配，赋予海门此项目与老上海历史的连接。 |
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 吧台区 |
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 卫浴空间 |
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 不同材质的拼贴融入新旧意涵 |
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 主卧空间 |
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 Plan |
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 Concept |
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 剖面图 |
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